Cinesensory exploration gives us the opportunity to study the precise detail and surface features of film as well as whatís impinged on spatiality within it. The space of oneís consciousness, and sensory engagments becomes new architectural domain of filmic discourse set to motion via added soft temporality. Future direction points to audience survey and experiments that test the accumulation of sensory experience of spatiality, a new material condition of memory, and a new definition for sensory flux. Real geographies are shrinking; the time-space in film is an expanding geography.
In film time as the fourth dimension is architecture where beside the 3D properties of space, soft architecture turns into a hybrid space of time and (digital) forms in 4D. The time space of architecture is the space that exists simultaneously with the many axisís and through (networking) sequencing, a continuum of temporal architecture in multidimensional time and continuous space of sensory experience.